art251 appeared on Home and Lifestyle TV recently, in a segment featuring some of the unique retailers in Arthouse. The show aired on channel 8 (WFAA) in the Dallas / Ft.Worth area on March 15. If you missed this great segment, and our entry into the video age, checkout the scene below.

Also, if you’re interested in learning more about Home and Lifestyle TV, run by Keller resident Christian Sly, follow this link to their great website.

I’ve been pondering a concrete answer to this question, and others like it for some time. I do wonder “what is art?” and “what is great art?” and “what distinguishes fine art from its non-fine cousins?” and “what makes some art better than other art?”

In formulating my answers to these questions I’ve been looking inward and searching outward. I’ve been digesting the musings of our great philosophers and eminent scholars and authors. I’m close to penning some blog-worthy articles that crystallize my current thinking on the subject, but I’m not quite ready. Not yet. So, in the meantime you and I will have to make do with deep thoughts on the subject of art from some of my friends…

I’m missing Art Basel | Miami this year. Last year’s event and surrounding shows displayed so much contemporary (and some modern) art, from so many artists and galleries that my head was buzzing for days afterward. This year I have our art251 gallery to co-run, so I’ve been visiting Art Basel virtually – reading the press releases, following the exhibitors and tuning in to the podcasts and vids, using the great tubes of the internet.

The best story by far to emerge this year from Art Basel | Miami is the continuing odyssey of Herb and Dorothy Vogel, their passion for contemporary art and their outstanding collection. On December 5, the documentary “Herb and Dorothy” was screened at Art Basel’s Art Loves Film night. And so their real-life art fairytale goes something like this…

Over the last 40-plus years they have amassed a cutting-edge, world-class collection of contemporary art. In all they have collected around 4,000 works. Over time they have crammed art into every spare inch of space inside their one-bedroom Manhattan apartment. In 1992 they gave around 2,000 important pieces – paintings, drawings and sculptures – to the National Gallery of Art, in Washington, D.C. Then, in April of this year the National Gallery announced that an additional 2,500 of Vogels’ artworks would go to museums across the country: fifty works for fifty States. The National Gallery simply didn’t have enough space to house the Vogel’s immense collection.

So, why is this story so compelling?

Well, it’s compelling because they are just like you and me. They are not super-rich, they have no condo in Aspen, nor do they moor a yacht in Monte Carlo. They’re not hedge fund managers. They didn’t make a fortune before the dot.com bubble burst.

Herb Vogel, 86, is a retired postal clerk and Dorothy Vogel, 76, a retired librarian. They started collecting art in the 1960s and continue to this day. Their plan was simple and guided by two rules: the art had to be affordable, and small enough to fit in their apartment. Early on they decided to use Herb’s income for buying art, and Dorothy’s to paying living expenses. Though now retired they still follow the plan. They collect art because they love art and finding new art. In Dorothy’s words,

“We didn’t buy this art to make money… We did it to enjoy the art. And you know, it gives you a nice feeling to actually own it, and have it about you. … We started buying art for ourselves, in the 1960s, and from the beginning we chose carefully.”

More telling is Dorothy’s view of the art world, and the New York art scene:

“We never really got close to other people who collect… Most collectors have a lot of money, and they don’t go about their collecting in quite the same way. My husband had wanted to be an artist, and I learned from him. We were living vicariously through the work of every artist we bought. At some point, we realized that collecting this art was a sort of creative act. It became our art, in more ways than one. … I enjoyed the search, I guess. The looking and the finding. When you go to a store, and you’re searching for your size, don’t you get satisfaction when you find it?”

And Herb adds the final words:

“The art itself.”

So, within their modest means and limitations they have proved to be visionaries; many of the artists they supported early on have since become world-renowned. And, they have taken their rightful place among the great art collectors of the world, such as Getty and Rockefeller, and Broad and Saatchi. The Vogels used their limitations to their advantage – helping them focus, rather than being a hinderance. Above all, they used their eyes to find and collect great art, not their ears.

I’m lucky to be surrounded by great art, every day — it comes with the job! I think all the art inside art251 is beautiful to look at; sometimes the beauty is in the subject, or the composition, or the colors, or the narrative. Some of our art makes me feel and even think, and of course it may or may not make someone else feel completely different or even nothing at all.

On September 24, I attended the opening reception for Rita Barnard’s solo show at North Lake College in Irving. Entitled “Ball of Confusion”, Rita’s show contains select pieces of her thought-provoking mixed media. Rita is one of the few local artists who we’ve seen whose work shows concern for some of this country’s recent tragedies: the Iraq war, hurricane Katrina, the Enron financial scandal. Her art can’t help but make you think and feel.

Perhaps her greatest work is the immense “Tribute to the Fallen”. It is 44 feet long, and is made up of 22 panels, each 2 feet wide by 4 feet high. Each panel holds 209 toy soldiers. Each little plastic figure, carefully placed on a panel, represents one of the lives lost in the Iraq war. Each is an individual — we can read his or her name and place of birth and learn how each lost his or her life.

Regardless of which side of the debate you are on, I would urge you to go and view this work for yourself — you cannot help but be moved. This and other works by Rita Barnard are on display in the Gallery at North Lake College in Irving until October 15. For directions, click here.